Inserted 28 Jun 2016 by Rerevisionist:
Miles W Mathis is a data miner of online biographies, and has produced some spectacular information. One of his pdf pieces is Noam Chomsky is and always has been A SPOOK (first published November 29, 2015). This piece includes some references to George Orwell (among many others) and some of the magazines he wrote for. (At this time of writing, Mathis has no piece solely on Orwell, as far as I know). Miles W Mathis on Noam Chomsky is the original file; here are a few paragraphs:–
...
Orwell is always sold as gritty and on-the-ground, willing to get his hands dirty with the common folk. But if we study his bio, we again find he is from vast pools of wealth. His real name was Eric Blair, and on his father's side the Blairs were descended from the Earl of Westmoreland. So he was an aristocrat on his father's side. But his mother's side is more hidden. Even greater wealth came from that side, since she was a Limouzin, rich French timber merchants in Burma. Francis Mathew Limouzin was a millionaire many times over. We are told Orwell's family had slipped into poverty, but that is a myth. The Blair side had slipped a bit, though not into poverty. But the Limouzin side was still very wealthy. His childhood friend from next door was Jacintha Buddicom, and she married a peer. So they had to have been in a very posh neighborhood.
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Orwell's claim to be impoverished and a man of the people doesn't hold much water. After Eton he joined the Imperial Police in Burma, which of course is where his rich grandparents were. He was soon promoted to District Superintendent in the district that just happened to house the Burma Oil Company. Suddenly at age 24, he quit the police to become a writer. That was 1927. His first book came out in 1933. Note the date. It was called Down and out in Paris and London. Although he was supported during those years by his rich family, he dressed as a tramp and infiltrated the poorer quarters. We are told this was due to his desire to understand the repressed lower classes, but it looks more like spying to me. It is an obvious precursor to Jack Kerouac's On the Road and the whole fake Beat Generation that took it up immediately on Orwell's death in 1950. There is lot more to say about Orwell, but that is enough for my purposes here.
Miles W Mathis is a data miner of online biographies, and has produced some spectacular information. One of his pdf pieces is Noam Chomsky is and always has been A SPOOK (first published November 29, 2015). This piece includes some references to George Orwell (among many others) and some of the magazines he wrote for. (At this time of writing, Mathis has no piece solely on Orwell, as far as I know). Miles W Mathis on Noam Chomsky is the original file; here are a few paragraphs:–
...
Orwell is always sold as gritty and on-the-ground, willing to get his hands dirty with the common folk. But if we study his bio, we again find he is from vast pools of wealth. His real name was Eric Blair, and on his father's side the Blairs were descended from the Earl of Westmoreland. So he was an aristocrat on his father's side. But his mother's side is more hidden. Even greater wealth came from that side, since she was a Limouzin, rich French timber merchants in Burma. Francis Mathew Limouzin was a millionaire many times over. We are told Orwell's family had slipped into poverty, but that is a myth. The Blair side had slipped a bit, though not into poverty. But the Limouzin side was still very wealthy. His childhood friend from next door was Jacintha Buddicom, and she married a peer. So they had to have been in a very posh neighborhood.
...
Orwell's claim to be impoverished and a man of the people doesn't hold much water. After Eton he joined the Imperial Police in Burma, which of course is where his rich grandparents were. He was soon promoted to District Superintendent in the district that just happened to house the Burma Oil Company. Suddenly at age 24, he quit the police to become a writer. That was 1927. His first book came out in 1933. Note the date. It was called Down and out in Paris and London. Although he was supported during those years by his rich family, he dressed as a tramp and infiltrated the poorer quarters. We are told this was due to his desire to understand the repressed lower classes, but it looks more like spying to me. It is an obvious precursor to Jack Kerouac's On the Road and the whole fake Beat Generation that took it up immediately on Orwell's death in 1950. There is lot more to say about Orwell, but that is enough for my purposes here.
Eric Blair, or 'George Orwell' (1903 - 1950) is best known for his novels Animal Farm (1944) and 1984 (1949). He lived in Burma until he was about 24; biographies are a bit low on detail until he was about 30. He became a journalist and writer; his first essays appeared about 1930. He wrote on Paris (1933), Burma (1934), and Wigan, Lancashire (1937 - he was commissioned by Victor Gollancz, a notable Jewish publisher of 'red' books). Orwell spent something like a gap year in Spain in 1937 - 'Homage to Catalonia' was published in 1938, by Secker & Warburg - where he fought, or perhaps played at fighting; then he spent some time in Morocco.
Orwell's thought was dominated by the written word, mostly the English written word, though he must have been exposed to the classics. It's important to realise how bound up Orwell's world view was with printed material; he must have read widely and promiscuously, and not particularly intelligently, when he was young. He was aware of this limitation; hence perhaps his foreign adventures, though his wartime work was in England, in propaganda. He predated television, and judging by his writings wasn't greatly interested in the cinema (film was monopolistic; and Orwell provided calculations showing that reading was better value) or radio - he was annoyed that the 'inconceivable rubbish of cross-talk comedians' was scripted in a time of paper shortage. However, he knew and was influenced by the BBC - it gave him the idea for the 'Ministry of Truth', according to Malcolm Muggeridge, although the wartime 'Ministry of Information' seems a likelier model.
When Orwell discusses books and magazines and newspapers, it's clear he has a considerable knowledge of adventure stories, school stories, detective stories, and war and action stories, and also the relation of these genres to the real world at various dates, and their obsolescence over time - see e.g. 'Boys' Weeklies' of 1940. 'Inside the Whale' (also 1940) looks at more serious literature, including poetry. His account of Dickens' work is long and detailed ('His imagination overwhelms everything, like a weed.') Orwell predated the huge expansion of University education, with its official lists of authors. Orwell admired H G Wells (probably his nom de plume was assembled with Herbert George Wells in mind), and modelled his socialist views on Wells's, at least up to the 1930s. This was not unusual, of course. What's equally usual is vagueness - Orwell gave no coherent vision of 'socialism'.
There was of course no Internet; one imagines Orwell getting his weekly fix of favourite magazines and newspapers, with occasional books. For our purposes, what's interesting is his views on propaganda. He found the Spanish Civil War, so-called, alarming because of that aspect; the really bitter and bloody stuff was not part of his experience: '... in Spain, for the first time, I saw newspaper reports which did not bear any relation to the facts, not even the relationship which is implied in an ordinary lie. I saw great battles reported where there had been no fighting, and complete silence where hundreds of men had been killed. I saw ... etc. ' 'The Prevention of Literature' (1946) looks at censorship.
It's slightly curious that Orwell never doubted any of the underlying propaganda in Britain. Or if he did, he wasn't published. He never doubted that 'Fascism' (i.e. including Nazism) came before Communism; or that 'Trotskyists' was merely a slogan; or that Poland was a proper cause for war; or that Hitler wanted to invade Britain; or that 'reds' committed fewer atrocities than 'Fascists'. As far as I know he didn't take account of the fact that Churchill started civilian bombing of Germany on a pretext. Orwell had no idea that the Spanish Communists were Jewish-controlled - to this day, Jewish propaganda in Britain refights the Spanish War in an odd nostalgic way. Orwell's survey of Arthur Koestler praises him lukewarmly, as a 'European' writer - Orwell says no British writer could come up with such works as 'Darkness at Noon'. Orwell had no idea that Hungarian Jews had been behind a 'revolution' in Hungary. He seems therefore to have had no way to determine Koestler's biases, or for that matter others - though he recognises that many 'intellectuals' of the time were 'European'.
Orwell never doubted some of the tenets of Marxism. He really believed in 'revolution', not realising the misleading nuances forced onto that word by repetition. He thought 'class war' had happened, and that more of it was likely to happen. One of the rather sad aspects of his work is a characteristic of many supposed 'left wingers' down to the present day - a contempt for his own working class, but a sort of worship of other working classes. Some of his descriptions of manly but uneducated Italians and Spaniards are touching in their brotherhood-of-man aspect; but East End Londoners - who in Orwell's lifetime had been deluged with aggressive racist foreigners, and who in pre-property ownership days must have spent their entire lives paying rent - are treated rather scathingly. Orwell didn't seem to realise that many modern technical types were 'working class' for want of a better word. He accepted simplified versions of history - 'the connection between the discovery of gunpowder and the overthrow of feudalism by the bourgeoisie has been pointed out over and over again.' Probably his most important vacant space was Jewish money and ownership and influence - this of course was part of his isolated English life. His 'AntiSemitism in Britain' (1945) is proof. He was aware of critics of Jews, such as Belloc, but seems never to have taken them seriously. I doubt (I may be wrong) he could read German or French fluently enough to check their anti-Jewish literature, which is (or was) more abundant than in Britain. (Added 1 Nov 2013: Orwell reviewed Mein Kampf in 1940, but his effort is in my view unimpressive and shows all his usual failings; my new review of Mein Kampf includes notes on Orwell's review).
I'm unsure (I'm not that interested) of Orwell's attitude to the Second World War. The BBC made a typically shallow programme, broadcast on his centenary (2003), which has a version of a radio 'debate'; actors playing Orwell, the pacifist Alex Comfort (later famous for The Joy of Sex), and someone called D. S. Savage, described as a poet, were shown debating, in front of radio mikes. Incidentally, this is deliberately misleading: BBC programmes were always scripted. Obviously a state propaganda outfit such as the BBC would never allow serious debate, but even so the speeches attributed to Orwell were extraordinarily weak - along the lines of pacifists being friends of my enemies. Those words were taken from a 1942 printed exchange of letters. However it seems clear enough that Orwell had no real idea of the purpose of the war.
In 1945, Orwell wrote among other things 'The Future of a Ruined Germany', which may have been prompted by rumours of the Morgenthau Plan. And he wrote, after discussing changes in weaponry - mostly in his own lifetime - 'You and the Atomic Bomb'. His main interest was the cost of so-called atomic bombs - Had the atomic bomb turned out to be something as cheap and easily manufactured as a bicycle or an alarm clock, it might well have plunged us back into barbarism, but it might, on the other hand, have meant the end of national sovereignty and of the highly-centralised police state. If, as seems to be the case, it is a rare and costly object as difficult to produce as a battleship, it is likelier to put an end to large-scale wars at the cost of prolonging indefinitely a 'peace that is no peace'. Clearly Orwell had no idea either of the powers attributed to the bombs over Japan, or that the whole thing was a hoax or fraud - in spite of his nominal scepticism, and explicitly-claimed suspicion of all news reporting, he had no idea he'd been suckered by the Yanks or Jews. Or if he had suspicions, he kept quiet.
1984 was obviously based on wartime London (apart from the considerable wartime promiscuous sex, which is omitted) and I think one of the reasons for its promotion and success was the fact that the underlying cause of 'communism' was NOT mentioned. Orwell presents a fairly static set of three societies always at war, with wartime-style canteens and cinemas and austerity. This is a British view - Winston Smith in middle-class fashion has his own personal torturer, the buildings are only occasionally bombed, not devastated as happened in much of Europe, the payment system is kept out of sight and out of mind, Fabian style 'intellectuals' are supposed to rule, and working class people are only interested in the lottery and drink. (They are assumed to be white). There is no mention whatever of companies, corporations, businesses. However the motive force that led to the situation, and the oddities of it - why should there be sudden policy changes? Why the need for retrospective censorship? Why was the 'left' undemocratic? - are unexplored. The result is described, but not the reasons for it. Therefore the book was safe. It's possible there are far better novels, assuming their authors were allowed to survive, but they would not be promoted, in the same way that a book by a Russian girl starving in Stalingrad - I forget the title - gets no publicity in comparison with the Anne Frank money-making scheme. Orwell died young (assuming you consider 47-ish as 'young') soon after its publication (he died in the same year as Bernard Shaw); Bertrand Russell - also missing the point - wrote that the book didn't achieve its presumed aim '... People.. rather enjoyed the frisson that its horrors gave them and thought: 'Of course it will never be as bad as that except in Russia!' ...'
It's worth noting that all Orwell's publishers were Jews - the 'red' pseudo-socialist journals New Statesman and Tribune; Victor Gollancz commissioned and published him on northern England and on Paris & London, Secker & Warburg published Animal Farm and 1984. The novels are exactly right to usher in the fake of the 'Cold War': there is no mention of the Jewish roots of the Soviet Union, there is no mention of the wartime alliance with the Soviet Union, and all the totalitarian aspects can be attributed to foreigners. No wonder it was heavily promoted. It wouldn't surprise me if there are archival traces of unease in Orwell about this; maybe there are exchanges of letters, which have been lost or suppressed; maybe the typescript of 1984 has scribbled changes to avoid that tendency; maybe the rather odd betrayal scene at the end of 1984, which doesn't fit in, was Orwell's conscience wriggling. Poor Orwell for the first time made serious money with 1984, but died soon after; for the propaganda myth this was fortunate - he might have continued into the 1980s, for example; who knows what he might have said?