Vultures, vampires, snakes, scorpions, leeches, lice, maggots. All these words have been used to describe Jews, and richly though they deserve every last one of ’em, I want to look at a Jew-word that might not sound so bad: termite. Everywhere you look in the West today, you’ll see Jews working like termites: a-gnawin’ and a-nibblin’ at the foundations of White society, working for the day when everything comes crashing down in clouds of dust.
And waves of blood. If you think a “termite” isn’t such a bad thing to be, take a look at what Jewish termites have achieved in Rhodesia and South Africa. Thanks to Jews like Joe Slovo and Helen Suzman, what were once prosperous, law-abiding White nations are enjoying the blessings of black rule – rape, murder, torture, corruption, disease, massacre, famine. The ordinary blacks over whom those Jews shed so many crocodile tears are now much worse off than they were under White “tyranny.”
Jews would like the same thing to happen in all White nations and have been working steadily since the nineteenth century to make it happen. We all know about Karl Marx and Sigmund Freud, but far fewer people have heard of Franz Boas (pronounced “BO-azz”) . He was the founder of “Boasian anthropology”, a pseudo-science that pretended to be objective but was in fact designed to elevate non-whites over Whites and destroy White resistance to mass immigration and multi-culturalism. Boas is still celebrated for his stand against White “racism”, and his example has inspired countless termites, both Jews and brain-washed Gentiles, to continue the good work of destroying White civilization.
One of those Boasian termites gnawed at my mind when I was a kid, though I’d never heard of Franz Boas and didn’t realize what the termite was up to. She was the daughter of Alfred L. Kroeber, a German-American anthropologist who studied under Boas at Columbia University, but she’s gone under a different name since the 1960s: Ursula le Guin. Members of the science-fiction and fantasy “communities” – as liberals like to put it – will know her work well. She’s most famous for a book called A Wizard of Earthsea, first published in 1968 and never out of print since. I read it and enjoyed it as a kid, though even then I found something curiously dead and depressing in it. The sequels were less good and gradually became so feminist and politically correct that I started to think le Guin must be Canadian.
That was before I recognized the Jewish problem, and perhaps books like that were part of what kept me blind for so long. Now that I’ve opened my eyes I can see Ursula le Guin for what she is: one of many thousands of Boasian termites working to destroy my race. In 2004 A Wizard of Earthsea found its way onto TV in a mini-series broadcast on something called the Sci Fi channel. But Ursula was spitting feathers about this, because the script-writers and producers had raped and mutilated her book. They’d done something so disgusting I wonder that my keyboard doesn’t short-circuit as I type the words in.
They’d made the hero and his friends White. And that wasn’t Ursula’s intention at all. As she explained in her cri de coeur about what they’d done, this was what Earthsea was supposed to be like:
Everybody is brown or copper-red or black, except the Kargish people in the East and their descendants in the Archipelago, who are white, with fair or dark hair.
Now, sit and think for a moment. Ursula le Guin is a Boasian. Everybody in her book is non-white except for the “Kargish and their descendants.” Ask yourself: what will the Kargish and their descendants be like? Okay, have you asked yourself that? Well, see if you’re surprised by this description of the Kargish from A Wizard of Earthsea:
They are a savage people, white-skinned, yellow-haired, and fierce, liking the sight of blood and the smell of burning towns.
But when the Kargs invade the home island of the dark-skinned hero, he manages to trick them with mist and shadows – an authentic Boasian touch, that – and they’re soon slaughtered to a last yellow-haired man. Later on, the hero comes across an old Kargish couple who were abandoned as children on a tiny island, where they’ve scratched out a long, miserable life of hardship and semi-starvation. That’s what A Wizard of Earthsea is like, you see: non-whites are gentle and civilized and Whites are cruel, blood-thirsty savages. I suppose that must be why it’s called a fantasy novel. Le Guin explained her intentions like this:
The fantasy tradition I was writing in came from Northern Europe, which is why it was about white people. I’m white, but not European. My people could be any color I liked, and I like red and brown and black. I was a little wily about my color scheme. I figured some white kids (the books were published for “young adults”) might not identify straight off with a brown kid, so I kind of eased the information about skin color in by degrees – hoping that the reader would get “into Ged’s skin” and only then discover it wasn’t a white one.
Just imagine that: a “wily” Boasian trying to trick White children and teenagers into “identifying” with non-whites. But she didn’t succeed in corrupting our northern European tradition as well as she wanted. Publishers stubbornly – psychopathically, Boasians would say – kept making the dark-skinned hero into a White. The picture on the cover of the first British edition, le Guin says, was “this pallid, droopy, lily-like guy – I screamed at sight of him.” Even though le Guin is a Gentile, that scream was a scream of Jewish hatred – hatred for “sallow”, “pallid”, “droopy” Whites. And if you’re in any doubt that Ursula le Guin hates Whites and wants to destroy us, this is what she said about why it was important to have a dark-skinned hero:
I didn’t see why everybody in heroic fantasy had to be white (and why all the leading women had “violet eyes”) . It didn’t even make sense. Whites are a minority on Earth now – why wouldn’t they still be either a minority, or just swallowed up in the larger colored gene pool, in the future?
Just swallowed up. Just destroyed, in other words. Ursula le Guin is an example of how Jews like Franz Boas have managed to create a unique psychopathy among Whites: the desire to see their own race vanish from the face of the earth. Even though Boas died in 1942, his termites are still gnawing away and unless we stop them we’re going to see White nations crashing down well before the end of the 21st century.
LUKE O’FARRELL
Note: I originally made the mistake of identifying Ursula le Guin herself as Jewish, but in fact she’s one of Boas’s brain-washed suicidal Gentiles, not one of his directly malign Jews.